American critics, unsure of the cacophony of identities and experiences M.I.A offers, commonly project their own uncertainties onto her… With her synthesis of diverse but connected motifs M.I.A gets dubbed “cut and paste.” Words like “patchwork,” “slapped-together,” and “scotch tape” are regularly used, and that’s from positive reviews. Rather, they’re ascribed a “primitive rawness.” Artists of color aren’t often recognized for their sophistication or intent. One of the most entertaining and frustrating things about being a fan of M.I.A has been watching white critics struggle to articulate her style while challenging her right to the aesthetic she cultivates. Siddiqi nailed the realities behind this struggle: In a recent piece for Noisey, writer Ayesha A.
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This has conceivably less to do with her interests and inspirations than it does with the fact that people tend to be unsure how to receive those interests and inspirations, particularly because she is so often painted as a humorless solipsist grasping at “ethnic” straws. But regardless of an astounding number of accomplishments - she’s the first artist to be nominated for an Oscar, Grammy, Brit Award, and the Mercury Prize, so take that, EGOTs - and her ability to craft some of the most interesting pop music of this century, she continues to confound and propel the public. She’s been Diplo’s muse, one of Time Magazine’s 100 Most Interesting People, and the only person to ever perform on the Grammys while practically about to give birth. But before her war with the NFL, her allegiance with WikiLeaks founder Julian Assange, or those goddamn truffle fries, she was a neon prism at the end of a long musical tunnel dominated by what we’ll call “The Bands.” Along with Dipset and DFA, the rapper, née Matangi “Maya” Arulpragasm, was one of the puzzle pieces that began indie rock’s distance from guitar rock and its constantly-evolving fascination with pastiche. is supposed to be a messenger, but the mission of her music is often obscured by critics’ and listeners’ schismatic view of her work.
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